Nylon:

As soon as it was introduced in 1938, women embraced synthetic nylon as a replacement for silk stockings. In the early 1940s, however, with silk already diverted to the war effort, the government recognized similar uses for nylon and commandeered it as well. Women responded by coating their legs in tan makeup and drawing lines up the backs of their calves to mimic seams. By the time the war ended and stockings returned to store shelves, nylon had become a generic term for hosiery.

Swing skirts.

The swing skirt had a round cut designed to look best in full jitterbug twirl. Swing skirts were a base sight on Uso dance floors as young women danced with uniformed men to the jazzy horns that characterized the Big Band Era. Housewives were known to wear a more conservative version of the swing dress, sometimes in polka-dot or tiny floral prints.

Hats:

Hats became one of the few ways to express personel style with minimal resources. They were worn in a wide range of styles and personalized with scraps of foil, sequins, netting, paper and string.

Hair and makeup:

Hairstyles became more illustrate as women sought ways to distinction their dull wardrobes. Shoulder length or longer hair was rolled into involved shapes and secured with bobby pins. Screen sirens like Lauren Bacall, Veronica Lake and Rita Hayworth popularized side parts and finger waves. Makeup was dramatic, characterized by matte foundation, powder, heavy brows and tantalizing scarlet lips.

Platform pumps:

The wartime shortage of leather and steel forced shoe designers to get more creative and, as a result, shoes were cobbled from materials fluctuating from crocodile hide to cork. Shoes were more utilitarian than stylish, with low heels and little color choices. By the mid to late 1940s, platform pumps with high heels in T-straps, ankle straps or open toes had replaced the dowdy wedgie with its flat shape and thick cork soles.

Menswear as womens wear:

A estimate of men may have spent the first half of the 1940s in uniform, but their civilian clothes came in handy for the women who filled their home-front jobs. Women raided the closets of absent men and tailored the suits to fit themselves. McCalls even introduced a pattern aimed specifically at modifying a masculine suit to fit feminine curves. Suddenly, the sexually ambivalent look pioneered in the late 1930s by Katherine Hepburn and Marlene Dietrich was radical no more. The emergence of the dress pattern and electric sewing motor led women to make their own suits from scratch, opting for gabardine due to the scarcity of wool. Many with physically demanding premise jobs soon began wearing practical pants and Rosie the Riveter jeans.

Sweaters:

By the mid-1940s, many women had abandoned the single-piece corset in favor of panties and structured bras that lifted and accentuated the bust line. In 1946, a well-endowed Jane Russell appeared onscreen in a cantilever bra designed by Howard Hughes, prefiguring the bullet-bra 1950s and the reign of the sweater girl. Loose-fitting cardigans were also popular, particularly on college campuses.

Sportswear:

The virtual disappearance of French fashion houses during the war led American designers to recognize their own creativity. Designers like Bonnie Cashin and Claire McCardell were instrumental in the creation of sportswear, that singularly American look featuring coordinated separates that could be worn in layers or in varied combinations. The trend not only gave women increased options and made it appear as if they had more clothes than they beyond doubt did, but also blurred the line in the middle of couture and ready-to-wear by showing women they could be both chic and comfortable without spending a fortune.

The New Look:

By the late 1940s, women craved a return to glamor and designers obliged with swirling skirts and shimmering evening gowns inspired by film stars like Ingrid Bergman, Barbara Stanwyck and Joan Crawford.

In 1947, French couturier Christian Dior practically single-handedly brought an end to wartime austerity with a fashion line observers christened the New Look. Severe angles were replaced with curves, hemlines dropped back below the knee and skirts were generously draped. Structured undergarments were key to the New Look, which featured broad shoulders, cinched waists, emphasized bust lines and padded hips. The pencil skirt was a figure-hugging alternative to bouffant skirts. Men, too, longed for freedom from conservative tailoring in khaki and olive drab. They found relief in wide-legged trousers, full-length coats and suits in an array of colors. Both mens and womens trousers featured higher waists, widely cut legs and cuffs and came in textured tweeds and jewel tones.

The New Look met with protest from women who had grown accustomed to baring their legs and were disinclined to cover them back up. Moreover, the opulent, fabric-rich designs seemed wasteful in distinction to wartime fabric restrictions. The desire for turn prevailed, however, and the look flourished throughout much of the 1950s.

When selecting ladies jackets, remember that it should be warm enough to protect you from the changing weather. It would be good if it has fur lining. And maybe it can have a draw cord at the waist. Look for clips at the sleeve so that you can attach mittens or gloves. A hood is a must too. Don't worry about the price because in the end what matters is the practicality and endurance of the jacket. So it's advisable to go for a slightly high-priced one, so that you don't need to spend money every year buying jackets.+

You will find not just want you wanted but also one that you may have longed for quite sometime now. With their jackets, you could come to be your best pal's envy!

The tailored jacket is smart and flattering. The term tailored is described as severely uncomplicated in line or develop but is also used to characterize the type of smart jacket that was traditionally made to part by a tailor. It is the uncomplicated line and moderately fitted nature of a tailored jacket that makes it so flattering. Tailored jackets can be worn with trousers or a skirts and a camisole or blouse for a smart work outfit. They are worn both inside and outside but for in fact cold days, ladies coats may need to be worn over the top of them. It can also be worn with a dress for occasions like weddings or a day at the races and can even be teamed with a pair of jeans for a very elegant casual outfit.

Tailored jackets can vary in style from blazers to interpret opening jackets, long line jackets, double breasted and cropped jackets. A superior black or navy tailored jacket is a in fact versatile option and a great wardrobe staple.

Casual jackets are ordinarily worn outside to give a limited extra warmth to a casual outfit. They can range from very thin light weight jackets to be worn in the middle of the summer to thicker jackets for cooler weather in the winter. Styles contain denim, fleece, jersey and even sleeveless jackets or gilets that can be worn over a matching or contrasting long sleeved top.

Cardigans make a great alternative to coats and jackets and are especially beneficial for providing added warmth indoors. Cardigans again can range from light weight to thick and chunky and can be casual or smart. Details on cardigans like frills or ornament make them particularly suitable for evening or party wear. Cropped cardigans or boleros also look remarkable with party dresses. Long line cardigans are a in fact elegant option for casual wear and great for throwing on with a pair of jeans and t shirt.

3. Skirts and shorts
Another way to wear it is to pair them up with cocktail shorts and high waisted skirts. In order to wear your pair of denim jacket with skirts or shorts, wear a tank top underneath, accentuate your waist with a belt, and add heels and you have a sexy, trendy outfit!